I design two kinds of things: software that is dense enough to run on for hours, and brands that are light enough to live on a coffee bag. Most days I'm doing product design — making complex, high-stakes tools that feels simple to the people who rely on them all day. Rest of the time, I'm knees deep in typography, branding and editorial, usually working across multiple scripts and chasing the same stubborn question underneath all of it: whose voices get to be seen, and whose get left out?
It's a thread that runs from a typeface that my grandmother could finally read, to a brand packaging that can be framed and put in MoMA. Trained in Chicago and London, fuelled by single-origin coffee and an unreasonable love of letterforms.